Keri is a joint PhD candidate in Musicology at King’s College London and the University of Hong Kong. Her doctoral research focuses on Joseph Haydn, 18th-century sensibility, and keyboard music. Her writing has been published or is forthcoming in Music & Letters, International Review of the Aesthetics and Sociology of Music, and Journal of Musicology. Her other research interests include the changing aesthetics and ideological associations of the keyboard fantasia as well as philosophies of music. 

Keri received her Bachelor of Music in Piano Performance from the University of Southern California. She also studied at Royal College of Music, where she obtained her Master of Performance in Piano and was awarded the Evelyn Tarrant Award for the Artist Diploma programme. Other interests include theology and philosophy.