“Thomas Merton’s Wu-Wei and Jazz as ‘New Liturgy’,” Religion and the Arts 29/4 (2025): 455-477. Link
“Sentimental Aesthetics in D-flat Major: Adagio of Haydn’s Hob. XVI:46,” HAYDN: OnlineJournal of the Haydn Society of North America 15 (2025). Link | PDF.
“Satire and Sensibility: Rameau’s Nephew,” The Eighteenth-Century: Theory and Interpretation 64/1–2 (2023): 149–172. Link
“Auenbruggers, Sensibility, and the Instrumental Bodies,” Journal of Musicological Research 42/2 (2023): 90–110. Link | PDF
“Sensibility in Haydn’s Topical Art,” Journal of Musicology 39/4 (2022): 432–468. Link | PDF
“Hearing Tolkien in Vaughan Williams?” Journal of Tolkien Research 14/2 (2022). Link | PDF
“Kreutzer Sonata’s Rousseauian Gospel: Leo Tolstoy’s Artistic Asceticism,” International Review of the Aesthetics and Sociology of Music 53/1 (2022): 77–107. Link | PDF
“Choreographing Sensibility: Innocence and Politeness in Haydn’s Hob. XVI: 40 and 42,” Music and Letters 102/3 (2021): 482–506. Link | PDF