Get to know me, my work and my interest through these slides:
My first (very short) lecture (2022): combining Kendrick Lamar, Foucault, Bavinck, Kierkegaard, Zhuangzi (among others), an electic mix of figures and philosophies, under the broad theme of self-forgetfulness
A brief introduction to the underlying premise of a notable portion of my work, that is, “sensibility” ought to be repositioned as musical capacity, as a characteristic of eighteenth-century culture and Enlightenment thought, and a signified rather than a signifier or topical label in semiotics
An exploration of the Chinese-British pianist Fou Ts’ong’s late admiration of Haydn’s music, juxtaposed with his father Fu Lei’s negative views on Haydn, drawing from cross-cultural ideas and observation of the history of Haydn’s reception